TYPES OF SCENES OR SEQUENCES ORDERED BY FORM AND CONTENT
The combination of these two categorizations can be defined as a whole a cinematic fragment.
CONTENT AS A STREAM OR MAY BE SCENE:
Conflict: That in which the dramatic action is central. The story progresses the mercy of the evolution of the conflict. The main character or antagonist or an ally of some of them even pretend anything at the scene and succeeds or partially achieved or not achieved, according to the evolution of the scene.
In Transition: The information is more important than the dramatic action. It reveals as spectators useful information for the next or following scenes of conflict.
of Presentation: Like Transition scene, this information is more important than the action or sometimes not distinguish which more important. This type of scene is at the beginning of the story or the beginning of an episode of a story.
AS WE CAN FIND YOUR WAY: Linear
(normal pose a scene): Those in which the illusion of continuity is unchanged
parallel or alternative mounting: Alternating scenes and sequences occurs when the viewer perceives the passage of time as continuous but we alternately attending to different spaces within a reasonable time progresses linearly. This resource can be translated as a "meanwhile."
Alternate Mountingcall on him in a bigger idea that the scenes involved spinning the story giving coherence. We call this parallel assembly in which the action and the space involved is the element of union of the different scenes.
The classic alternative assembly arises a fundamental idea (End of Godfather 1 or 2)
In parallel mounting witness the classic tale of a complex scene involving various areas connected in a way that was not evident. Car chase in Bourne Identity unknown. Crosstrainers
flashbacks or flash forwards
FOCUS WE ANALYZE THE TIMELINESS:
external Rhythm and pace inerno
AND CAN BE FOUND IN THE INTERIOR OF A SCENE OR SEQUENCE:
realistic time temporal compression
temporary Elongation
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