Looks Investigation 1:
exercise of conjugation of different looks as dialogues
Multiple correlation and no correlation of looks. POV. As a point of view. Guide
countershot Using a flat with setting provided by the chair, edit a scene from the p of view of a character and another. The scene consists of two characters to establish a telepathic dialogue (which be invented by students).
The Chair will provide a copious amount of material of two people locked in a table with different variations of angle (30, 60 and 90 degrees). With reference and without reference. High and low chamber. Wide and Tele. Crossing and not crossing the shaft. Motion and without camera movement.
With two levels of establishment.
with that material and content must be edited dramatic ideally two different versions in which to appreciate the building's point of view of one of the characters in the first version and another style point of view in the second version (may be 2nd character or other criteria).
Papers will be presented in AVI format or dvd. The 5-band sounds must be developed. While the delivery of the DVD is a group, the making of the conclusion of the work will be individual (in the same manner as in the rest of the tp)
Alternate Mounting And tp2
Parallel analysis of music and use of fixed-mount flat narrative. Rhythmic
foreign and internal to the plane.
Guide. The chair will
2 edited music for the purpose of the exercise. Students should record levels of two alternative situations: A girl prepares to go out dancing.
A boy preparing to go play football. Or the same post will provide the footage, as agreed with the students. Mounted should edit alternative or parallel the two situations by giving them the rhythmic alternation of music, its morphology and the traditional tensions scheme for a scene. Be submitted videos and individual reflection of each of the participants of the exercise. Theoretical considerations
alternative mounting is one in which two or more situations, non-contiguous or continuous spatially or temporarily, are assembled to make a film to generate an idea that is not in each of them separately. The technique to achieve is to find alternate mounting rhythmic moments (rhythmic actions, not cut) and similar situations visually or from the point of view the content of the scenes, that allow us to relate and create a larger idea to each of them separately. As a narrative technique was discovered by the film and then imitated by other art forms. Sometimes we speak either alternative or parallel mounting. Although some authors tend to distinguish the alternate assembly of parallel, since in parallel mounting the two situations can come together in a common location or a single final scene brings together the two situations that had been raised as separate at first. In principle to make riding both situations should first plan which are the most important moments of each scene separately, and then end up forming a single sequence that will alternately showing highlights of each of the scenes that compose it. The most important general concept, when we propose to make an alternative mounting is that the whole narrative should be more than the sum of its parts. Working Guide Based on the material provided by the department, which consists of two scenes filmed with a technique independent film (most of the shots are handheld shot in a low gross: published), to be edited each separate scenes. Then they must decide what are the outstanding moments of each of them to finish editing a single assembly sequence using material from both alternative scenes. Scene 1: The material of the first scene is filmed to tell how a girl who fell asleep, wakes up and prepares to leave quickly. Scene 2: The material of the second scene is filmed to tell how a guy who fell asleep in his bed, wakes up and quickly getting ready for football. The material provided on 2 dvd's lecture was recorded with live sound which may or may not be used by publishers. Soundtracks must provide for the use of dialogue, sound and foley, environments, music and sound effects. Although not required to use the bands music and sound effects. The three videos (1 for each scene separately and 1 Alternate assembly edition) can be delivered in DVD format or avi or mov player. This practical work must be submitted with written individual conclusion. Can be taken as an example of alternate assembly: The final sequences of The Godfather 1 and 2. The sequence of Coppola's Dracula's wedding Keanu Reeves. Can be taken as an example of alternate mounting the chase sequence breaking point. The chase sequence in Terminator 2 in the channel of Los Angeles (Schwarzenegger in bike).
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