.
montajefba@gmail.com Please do not write queries rather than to that address. Thanks
Wednesday, April 27, 2011
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THE MAIL DELIVERY OF THE CHAIR FOR CONSULTATION IS ... Night Shift
Please do not write queries rather than to that address. Thanks
Please do not write queries rather than to that address. Thanks
Tuesday, April 26, 2011
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- TP1 - Next class
Boys:
On Monday May 9 due on TP1 Recuperatorios of the following groups:
Group 1: must be corrected version view it.
Group 6: should work more about the audio of the 2 versions.
-------- The following are not delivered on TP1 on time, so go directly to Recuperatorios instance and also delivered on 9 May:
Group 9, Group 10 and Group 11
--------
groups should present their work on this date are:
Group 2, Group 4 and Group 8
must all be present, since it has been advised in class and by this means.
............................................... ......... 
Boys:
On Monday May 9 due on TP1 Recuperatorios of the following groups:
Group 1: must be corrected version view it.
Group 6: should work more about the audio of the 2 versions.
-------- The following are not delivered on TP1 on time, so go directly to Recuperatorios instance and also delivered on 9 May:
Group 9, Group 10 and Group 11
--------
groups should present their work on this date are:
Group 2, Group 4 and Group 8
must all be present, since it has been advised in class and by this means.
............................................... .........
Wednesday, April 13, 2011
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NIGHT SHIFT - Withdrawal of DVDs for TP1
For Night Shift advised that the DVDs with the material for the TP1 assembly must be removed (a Thursday from 9am to 14am on Friday) at the office of the Department of Extension which is located in the Central Building PlantaBaja the faculty, the office is the n ° 16 (from the lobby, must go right the corridor)
Along with DVDs we leave them a note with the group to verify them, because some guys on Monday joined groups and should be contacted for work.
Discs must verify without fail before next Monday 18/04 at noon.
should check that they work properly from beginning to end. If either disk fails, please write to montajefba@gmail.com specifying which one would have to re-record, to have it ready for this next class. But may choose to ask him to another group because the material is the same for everyone.
This notice is for the day of delivery (25/04) do not bring work half done by disk failure, and will not be taken into account and go directly to Recuperatorios, losing the instance of correction.
not bring work in another medium than DVD-Video (VOB).
not accept:. Avi,. Mov,. Flv,. Mpeg,. Iso. None of these can be read by the class player, so it will not be reversed and will be disapproved. Any questions or
problem arises with this they can write the mail and we will help, but the 25/04 ALL discs should work properly.
And please use the label found here on the blog, so that jobs can be archived better and easier viewing in class.
Thanks!
............................................... .......................................... 
For Night Shift advised that the DVDs with the material for the TP1 assembly must be removed (a Thursday from 9am to 14am on Friday) at the office of the Department of Extension which is located in the Central Building PlantaBaja the faculty, the office is the n ° 16 (from the lobby, must go right the corridor)
Along with DVDs we leave them a note with the group to verify them, because some guys on Monday joined groups and should be contacted for work.
Discs must verify without fail before next Monday 18/04 at noon.
should check that they work properly from beginning to end. If either disk fails, please write to montajefba@gmail.com specifying which one would have to re-record, to have it ready for this next class. But may choose to ask him to another group because the material is the same for everyone.
This notice is for the day of delivery (25/04) do not bring work half done by disk failure, and will not be taken into account and go directly to Recuperatorios, losing the instance of correction.
not bring work in another medium than DVD-Video (VOB).
not accept:. Avi,. Mov,. Flv,. Mpeg,. Iso. None of these can be read by the class player, so it will not be reversed and will be disapproved. Any questions or
problem arises with this they can write the mail and we will help, but the 25/04 ALL discs should work properly.
And please use the label found here on the blog, so that jobs can be archived better and easier viewing in class.
Thanks!
............................................... ..........................................
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Bibliography obligatory for assembly and Night Shift
The following is optional and advisory literature:
"The Writer" by Robert McKee.
"How to analyze a film" by Francesco Casetti and Federico Di Chio.
"As a flicker" of Walter Murch.
texts are available at the photocopier 2Elefantes (78 Diagonal corner 8).
.............................................. ......................................
This is the obligatory references to approve and Publishing Edition Course 2:
"The film montage art of movement" of Rafael Sanchez.
"The film montage art of movement" of Rafael Sanchez.
"Praxis of cinema" by Noel Burch.
"The language of cinema" by Marcel Martin.
"Technique of film editing" by Karel Reisz. The following is optional and advisory literature:
"The Writer" by Robert McKee.
"How to analyze a film" by Francesco Casetti and Federico Di Chio.
"As a flicker" of Walter Murch.
"Clarity thick, clear density" by Walter Murch.
"Model Scripts and models dash" of Francis Vanoye.
Texts and manifestos of the film "Homero Alsina Thevenet.
"Aesthetics of Cinema" by Jacques Aumont, Alan Bergala, Michel Marie and Mare Vernet. texts are available at the photocopier 2Elefantes (78 Diagonal corner 8).
.............................................. ......................................
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do you know about
Do you think art studies are highly valued? Video 1
http://www.youtube.com/watch?v=mVcCPXygNp0
Why do you think that school counselors do not recommend Fine Arts as an alternative for the future? Video 2
http://www.youtube.com/watch?v=nqZr7aOoadk
What do you think of the techniques of expression when painting? Video 3
http://www.youtube.com/watch?v=jnPUxukWgAc
Do you think art studies are highly valued? Video 1
http://www.youtube.com/watch?v=mVcCPXygNp0
Why do you think that school counselors do not recommend Fine Arts as an alternative for the future? Video 2
http://www.youtube.com/watch?v=nqZr7aOoadk
What do you think of the techniques of expression when painting? Video 3
http://www.youtube.com/watch?v=jnPUxukWgAc
Tuesday, April 12, 2011
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Issue 2 - GROUP 2
Night Shift - Group List to verify that any query write to us.
GROUP 1:
GROUP 2:
GROUP 3:
GROUP 4:
GROUP 5:
GROUP 6:
Here
Night Shift - Group List to verify that any query write to us.
GROUP 1:
| Ayles, Ariadna | ||
| Camperi, | ||
| Nuria Garcia, Rodrigo | ||
| Huerta, Fernando | ||
| Hurban, Yamila | ||
| Martinez, Julieta | ||
| Salamero, Florence |
GROUP 2:
| Appendino | ||
| Paul Bannon, | ||
| Mariana Fernandez, Amparo | ||
| Giner Javier | ||
| Gonzalez, Martin Daniel | ||
| Eguren Lopez, Camila Sosa | ||
| , Matias |
GROUP 3:
| Barraza, Dalma | ||
| Bernasconi, Clara | ||
| Fabreguettes, Gisela | ||
| Fabreguettes, Patricia | ||
| Ripoll, Marina Chamber | ||
| Raimundi, Pamela | ||
| Villa, Agustin |
GROUP 4:
| Carrizo, Martin | ||
| Giordano, | ||
| Camilo Gonzalez, Francisco | ||
| Montoya, Melina | ||
| Murillo, Felipe | ||
| Bacon, Jesus | ||
| Trujillo, Jorge |
GROUP 5:
| Bercovich, Ezequiel | ||
| Delgadillo, Dany | ||
| Gauna, | ||
| Mauro Lopez Virginia | ||
| Ovejero, Ailin Malen | ||
| Romero, Octavio Villanueva | ||
| , Sofia Lara |
GROUP 6:
| Ampuero, Bruno | ||
| Diaz, Diego | ||
| Mesele, Belen | ||
| Nieva, | ||
| Federico Persico, Candela | ||
| Tejeda, Juliana | ||
| Zanzero, Johanna |
| GROUP 8 :
GROUP 9:
GROUP 10:
................ ................................................. |
TYPES OF SCENES OR SEQUENCES ORDERED BY FORM AND CONTENT
The combination of these two categorizations can be defined as a whole a cinematic fragment.
CONTENT AS A STREAM OR MAY BE SCENE:
Conflict: That in which the dramatic action is central. The story progresses the mercy of the evolution of the conflict. The main character or antagonist or an ally of some of them even pretend anything at the scene and succeeds or partially achieved or not achieved, according to the evolution of the scene.
In Transition: The information is more important than the dramatic action. It reveals as spectators useful information for the next or following scenes of conflict.
of Presentation: Like Transition scene, this information is more important than the action or sometimes not distinguish which more important. This type of scene is at the beginning of the story or the beginning of an episode of a story.
AS WE CAN FIND YOUR WAY: Linear
(normal pose a scene): Those in which the illusion of continuity is unchanged
parallel or alternative mounting: Alternating scenes and sequences occurs when the viewer perceives the passage of time as continuous but we alternately attending to different spaces within a reasonable time progresses linearly. This resource can be translated as a "meanwhile."
Alternate Mountingcall on him in a bigger idea that the scenes involved spinning the story giving coherence. We call this parallel assembly in which the action and the space involved is the element of union of the different scenes.
The classic alternative assembly arises a fundamental idea (End of Godfather 1 or 2)
In parallel mounting witness the classic tale of a complex scene involving various areas connected in a way that was not evident. Car chase in Bourne Identity unknown. Crosstrainers
flashbacks or flash forwards
FOCUS WE ANALYZE THE TIMELINESS:
external Rhythm and pace inerno
AND CAN BE FOUND IN THE INTERIOR OF A SCENE OR SEQUENCE:
realistic time temporal compression
temporary Elongation
Friday, April 8, 2011
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Fine Arts Studio.
Sitiendo the landscape up close, find a so-called American Garden. Nature, history and creation come together to form the beauty of its surroundings.
Light, color, cool, the path of the falling water, the atmosphere of a natural environment make this place became mine. 
Sitiendo the landscape up close, find a so-called American Garden. Nature, history and creation come together to form the beauty of its surroundings.
Light, color, cool, the path of the falling water, the atmosphere of a natural environment make this place became mine.
Wednesday, April 6, 2011
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GLOSSARY ASSEMBLY Assembly website and Publishing - Information for students mandatory labeling for delivery
leave the link to go to the website of the chair, they can find information on the rules, links of interest and full lectures:
http://sites.google.com/site / montajeyedicionunlp /
................................................ .............................. 
leave the link to go to the website of the chair, they can find information on the rules, links of interest and full lectures:
http://sites.google.com/site / montajeyedicionunlp /
................................................ ..............................
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of TPs
This is the notice to be printed and pasted on the envelope at the time of delivery of each TP. All data must be complete. We
please do so and that streamlines the delivery, and ensures that no disk can be misplaced during the stage of corrections, for your safety.
To print should click the right mouse button over the image and choose "Save Image As." Once you save can be printed.
Many thanks!
.............................................. ................................... 
This is the notice to be printed and pasted on the envelope at the time of delivery of each TP. All data must be complete. We
please do so and that streamlines the delivery, and ensures that no disk can be misplaced during the stage of corrections, for your safety.
To print should click the right mouse button over the image and choose "Save Image As." Once you save can be printed.
Many thanks!
.............................................. ...................................
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DELIVERY TP1
Practical Work 1: SCENE OF DIALOGUE AND LOOKS.
With the material provided by the chair to be mounted telepathic dialogue or a dialogue scene in which the voices of the characters but they do not move the mouth (CAN NOT BE A VOICE IN STAGE OR OFF INNER VOICE OF THE PEOPLE).
should apply the rule of the shaft. Not to apply, you must justify why they are not orally applied.
should pay attention to the rhythm of the scene according to the invented dialogue for the characters.
can not have music, but keep the rest of the bands: dialogues, environment, foley effects and well mixed.
The presentation must have at least 2 versions of assembly: a close one of the male and another female character around. ALL
groups delivered on Monday 25 April. begin the same day oral group.
.............................................. .................... 
Practical Work 1: SCENE OF DIALOGUE AND LOOKS.
With the material provided by the chair to be mounted telepathic dialogue or a dialogue scene in which the voices of the characters but they do not move the mouth (CAN NOT BE A VOICE IN STAGE OR OFF INNER VOICE OF THE PEOPLE).
should apply the rule of the shaft. Not to apply, you must justify why they are not orally applied.
should pay attention to the rhythm of the scene according to the invented dialogue for the characters.
can not have music, but keep the rest of the bands: dialogues, environment, foley effects and well mixed.
The presentation must have at least 2 versions of assembly: a close one of the male and another female character around. ALL
groups delivered on Monday 25 April. begin the same day oral group.
.............................................. ....................
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Here is the list of films that must be seen to work for that submitted. They were selected from each group for the Edition Course 1:
morning Time
Sixth Sense
Talk to Her
Kill Bill Vol 1
Reservoir Dogs
The Lake House
Nine Queens
Sin City
Amores perros
500 Days of Summer
28 days after
Amelie Snatch, pigs and diamonds
Children of Men
Butterfly Effect
Elephant Fight club
Paranoid Park
Basterds
panic and madness in Vegas
The Royal Tenenbaums
The red balloon
Psycho
Back to the Future II
Night Shift
Amelié
The Shining Eternal Sunshine of the Spotless Mind Pulp Fiction
2001: A Space Odyssey
Caracol Dogville Strategy
Requiem for a Dream Elephant
The Ladykillers
Slumdog Millionaire
SLC Punk Street Dogs
El Milagro de P. Tinto
Erasehead
Trainspotting Clockwork Orange
.. .................................................. ................................
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Movies to watch Call for Draft National Film DVD Authoring
invite students to join the Project Editing and DVD Authoring Films by Argentine directors grouped in the CPI (Independent Film Project).
All those interested in being part of this effort should leave your data (name and e-mail) to the assistants on each shift.
Here I attach the link to the Blog of PCI to know that it is and who the directors grouped in:
http://pcicine.blogspot.com/
So we also extend this invitation to anyone who wants to be part of the Chair as assistants for next semester in Assembly and Issue 1.
............................................ .................................................. ............... 
invite students to join the Project Editing and DVD Authoring Films by Argentine directors grouped in the CPI (Independent Film Project).
All those interested in being part of this effort should leave your data (name and e-mail) to the assistants on each shift.
Here I attach the link to the Blog of PCI to know that it is and who the directors grouped in:
http://pcicine.blogspot.com/
So we also extend this invitation to anyone who wants to be part of the Chair as assistants for next semester in Assembly and Issue 1.
............................................ .................................................. ...............
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TPs delivery dates and Partial
fixed dates so far are:
TP1
Delivery: Monday April 25 TP2
Delivery: Monday June 6 Part
written: Monday June 27
All groups must hand over the TP on the same date , regardless of the shift to oral exposure.
same day delivery of the TP, will begin with group exhibitions.
Any modification on the force majeure shall be duly notified.
............................................. .............................. 
fixed dates so far are:
TP1
Delivery: Monday April 25 TP2
Delivery: Monday June 6 Part
written: Monday June 27
All groups must hand over the TP on the same date , regardless of the shift to oral exposure.
same day delivery of the TP, will begin with group exhibitions.
Any modification on the force majeure shall be duly notified.
............................................. ..............................
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RULES OF THE CHAIR - 2011 2010
To approve the matter Edition 2 Installation and must meet the following requirements:
................................. .................................................. ............... 
To approve the matter Edition 2 Installation and must meet the following requirements:
- Approve the 2 Practical Works of the semester. With due Recuperatorios each.
- Part approve the written and face. This also has only 1 Recuperatorios.
- No more than 2 absences for classes, all are required.
- Part approve the written and face. This also has only 1 Recuperatorios.
- No more than 2 absences for classes, all are required.
The first presentation of each TP is oral (not written) and group. TP Recuperatorios
Each individual is written (Each TP can be recovered only 1 time, in case of surrender for the first time outside of the due date becomes Recuperatorios, losing 1 instance).
The assessment of practical work will be a group, and we will evaluate the material en video como la justificacion teórica del mismo.
El orden de los grupos para la exposición oral será fijado la clase anterior, por lo que todos estarán al tanto de su turno, y no podrá presentarse aquel grupo que no esté completo al momento de su exposición oral.
El examen Parcial escrito es presencial e individual y será el lunes 27 de Junio de 2011.
Reglamento para los trabajos grupales:
Al comienzo de la cursada se dara chance de que se formen grupos espontaneamente de no menos de 8 personas y de no mas de 12 personas. Estos grupos son inamovibles e inmodificables una vez establecidos. En caso de cambios en los groups, Cristian Salgado and Carlos Merdeka will be those that produce changes in absenteeism for members only.
Students would be responsible for contacting each other. In case of ignoring the direction of one of its compaleros suggest you consult the Film Department or the Department of BFA students. But do not be a reason to accept the fact that were not in contact with peers at the time of delivery of work.
Assessment Methods and Practical Works Part:
practical works do not meet the guidelines established automatically with no exceptions will be disapproved.
If these conditions are met, assess the depth of analysis and reflection on resources used to mount the stage and write the work, depending on whether the partially written or practical work.
In case of TP1 will be evaluated using the rhythm as a function of "start-development-final" dialogue. Also be evaluated using planes as a function of presenting the situation as clearly and used "flat", "reverse shot" and "establishment."
TP2 In the case of rhythmic be assessed in each version, the treatment of the issue between shots. In the 3rd version should be correctly used the moments of possible link between one scene and another, prepared from the film. Should be given equal importance to both characters (with rhythmic or duration of the action plan or to be used for that purpose).
Assembly and Edition 2 - First Semester 2011
Each individual is written (Each TP can be recovered only 1 time, in case of surrender for the first time outside of the due date becomes Recuperatorios, losing 1 instance).
The assessment of practical work will be a group, and we will evaluate the material en video como la justificacion teórica del mismo.
El orden de los grupos para la exposición oral será fijado la clase anterior, por lo que todos estarán al tanto de su turno, y no podrá presentarse aquel grupo que no esté completo al momento de su exposición oral.
El examen Parcial escrito es presencial e individual y será el lunes 27 de Junio de 2011.
Reglamento para los trabajos grupales:
Al comienzo de la cursada se dara chance de que se formen grupos espontaneamente de no menos de 8 personas y de no mas de 12 personas. Estos grupos son inamovibles e inmodificables una vez establecidos. En caso de cambios en los groups, Cristian Salgado and Carlos Merdeka will be those that produce changes in absenteeism for members only.
Students would be responsible for contacting each other. In case of ignoring the direction of one of its compaleros suggest you consult the Film Department or the Department of BFA students. But do not be a reason to accept the fact that were not in contact with peers at the time of delivery of work.
Assessment Methods and Practical Works Part:
practical works do not meet the guidelines established automatically with no exceptions will be disapproved.
If these conditions are met, assess the depth of analysis and reflection on resources used to mount the stage and write the work, depending on whether the partially written or practical work.
In case of TP1 will be evaluated using the rhythm as a function of "start-development-final" dialogue. Also be evaluated using planes as a function of presenting the situation as clearly and used "flat", "reverse shot" and "establishment."
TP2 In the case of rhythmic be assessed in each version, the treatment of the issue between shots. In the 3rd version should be correctly used the moments of possible link between one scene and another, prepared from the film. Should be given equal importance to both characters (with rhythmic or duration of the action plan or to be used for that purpose).
Assembly and Edition 2 - First Semester 2011
................................. .................................................. ...............